Showing posts with label 1989. Show all posts
Showing posts with label 1989. Show all posts

Tuesday, April 04, 2023

Major Leaguer: Terry Funk Insists "It's My Moment!"




"I am a major leaguer. 
I am just like Nolan Ryan; 42 and tryin' 
to teach you people what a true hero is today. "


by Dick Bourne
Mid-Atlantic Gateway

We usually don't stray much past 1988 on this website, but this is one of my favorite Terry Funk interviews ever during his 1989 run in the early days of Ted Turner's WCW.

During the spring of 1989, Funk had some very memorable interviews and TV matches setting him up as the wild and unpredictable challenger to NWA World champion Ric Flair. WCW had initiated the "Top 10" concept and Terry hadn't made into the top 10 yet and was very frustrated by that fact. This was in the weeks following his "pearl harbor" attack on Ric Flair in Nashville.

Frustrating Funk further was the fact that Lance Russell interrupted him to go to the ring for the "Rookie Challenge" where two young competitors would have a shot at "their moment" on national television.

But a protesting Funk insisted it was HIS moment, and he made sure he stole that moment from rookies Lee Scott and Dwayne Bruce. Mayhem ensues.

My favorite visual is near the end of this video when Funk piledrives Lee Scott and you see Funk between Scott's extended legs with a big grin on his face screaming "It's my moment!"

Sidebar: Funk evoked the name of Nolan Ryan in this interview, a reference to the Major League Baseball Hall of Famer who in this same year of 1989 for the Texas Rangers would lead the American League in strikeouts with an incredible .615 winning percentage and would be voted to the All-Star game that year - - amazingly all at the age of 42. The same age as Funk.

The clip is from an episode of "NWA Pro Wrestling" taped at the Center Stage Theater in Atlanta (also regular home to "World Championship Wrestling" on WTBS.) Commentary is by my favorite 1989 broadcast team of Lance Russell and Bob Caudle.

 


Originally posted April 2018 on the Mid-Atlantic Gateway

http://horsemen.midatlanticgateway.com

Thursday, March 02, 2017

The Windham Brothers channel Anderson and Blanchard

The team of Barry and Kendall Windham very clearly mimic Arn Anderson and Tully Blanchard after forming their tag team in the wake of the Horsemen departures.
by Dick Bourne
Mid-Atlantic Gateway

In January of 1989, the Four Horsemen as they existed at that time were on their last legs as a unit. Tully Blanchard and Arn Anderson had jumped to the WWF a few months earlier. In the storyline, Hiro Matsuda would soon purchase the contracts of remaining members Ric Flair and Barry Windham from James J. Dillon, along with others under Dillon's managerial direction at that time. (Behind the scenes, Dillon also was leaving for the WWF.)

Just before Matsuda entered the picture, Kendall Windham turned on tag-team partner Eddie Gilbert in a match against his brother Barry and James J. Dillon. it was a turn anyone should have seen coming a mile away, but apparently Gilbert missed it.

After making the turn, Kendall executed a surprising move on Gilbert - a "slingshot suplex." It was not a move he had used previously and of course immediately evoked images of the only other wrestler known to use that maneuver at the time - - a former Horseman - - Tully Blanchard.

After Kendall's heel turn, he and brother Barry Windham formed a regular tag-team for a short period of time, first managed by Dillon and then by Matsuda. In their first match together as a heel team on World Wide Wrestling on 1/28/89, they work the match in what can only be called "Anderson style", isolating one body part and continuing to work over that body part throughout the match. In this case, it was the arm.

Going back to Gene and Lars Anderson as the first combination of the Minnesota Wrecking Crew in the 1960s,  the Andersons were famous for this style of work; pick one body part and stay after it until submission or the injured opponent is set up for pinfall. That approach became Anderson tradition through the subsequent pairings of various Anderson family members over the years, including Ole and Arn Anderson in the Four Horsemen.

It was striking to see The Windham brothers taking a page out of the book of the Anderson brothers in their first match together in 1989. They tagged in and out frequently while working over the arm. They even used the familiar "Anderson slam" on the arm, that famous hammerlock-style body slam where an opponent is body slammed on his own arm locked behind him. That had been one of the signature moves of the Andersons over the years. And Barry even added a new twist: adding a "power slam" when bringing his opponent down on the arm. It was awesome looking, indeed.

Added all together - - Tully's "slingshot suplex" and Arn's "Anderson slam" - - and it became clear that the Windhams were intentionally channeling Tully Blanchard and Arn Anderson. These new moves that the Windhams were doing for the first time weren't just a coincidence.

You have to wonder why, though. What was the point? All it did was remind fans of the two Horsemen who had left the NWA and were now wrestling for the WWF. And that didn't seem very wise to me - - then or now.

In the end, things were getting ready to change so quickly that it didn't really matter. Barry and Kendall didn't team regularly for too much longer, and both left the promotion in the following few months.  Ric Flair renewed his old rivalry with the returning Ricky Steamboat and so the Horsemen were done for the time being.



http://www.midatlanticgateway.com/p/us-title-book.html

Sunday, December 20, 2015

Ric Flair Newspaper Profile from 1989

Flair-up in the Fast Lane
Story By: Linda Quigley
The Tennessean (Nashville) - September 3, 1989


Women try to tear his designer clothes off. Men try to kick him in his gleaming, white teeth.

And he has to sit patiently for a couple of hours every 10 days while a stylist touches up the roots of his bleached blond hair.

So if life in the fast lane’s not all limos and roses, professional wrestler Ric Flair still finds it rewarding enough.

“The purpose for making a living in this country is making money and to be able to enjoy life,” he said. “I do just that. I make money. I spend money. I enjoy wearing the finest clothes, entertaining the most beautiful women in the world.”

Arrogant?  You bet.  “I make money with my personality. And I don’t hug grandmothers and kiss kids. I haven’t exactly been a role model for children.”

“I’ve said it before and I’ll say it again:  I’m custom made from head to toe. I’m a limousine-riding, jet-flying son-of-a-gun.”

“If anybody in wrestling is making more money than me, it’s Hulk Hogan, but I’ll bet I make more from wrestling alone,” said Flair six-time world heavyweight champion of the National Wrestling Alliance. Hogan, who holds the world heavyweight title in the World Wrestling Federation, has boosted his income with a role in the movie No Holds Barred and a licensing agreement for Hulk Hogan action figures and other children’s playthings.

Ric Flair battles Terry Funk (ProWrestlingCountdown.com)
How did wrestling become spectacle and entertainment and big business? “I think people identify with success,” he said in a telephone interview from his home in Charlotte, NC.  “You’ve got 22 year old kids making $160,000 a year. It’s an unbelievable financial opportunity for talented wrestlers.”

Flair, now in his late 30s and a professional wrestler since 1973, hints at an income in excess of a million dollars a year.

His ostentation is acceptable, even encouraged, in his profession – especially since the NWA was bought by multi-billionaire media magnate Ted Turner, whose own lifestyle is quite glamorous.

“It’s very hard to compare myself to him, since he has a personal net worth of $2 billion, but I see a lot of characteristics that are similar,” Flair said. “He’s a very aggressive guy. He doesn’t seem to take a back seat to anybody. We are both successful and we both make the most of each day.”

“And he’s very flamboyant, which I am too. But the tendency to be flamboyant is something you’re born with. I don’t think you can stand in front of the mirror and be flamboyant.”

You can, however, stand in front of the mirror and see flamboyance if you’re Flair, or you can see it on TV if you’re a fan.

There are four hours of NWA wrestling on WTBS each week, and the rival WWF, CWA and AWA wrestlers fill a few more hours each week in independent stations (locally on WZTV-Ch.17 and WCAP – Ch. 30), and on ESPN. Ringside or on television, the fans are loyal and wrestling is a growing business for the stations.

“I got where I am in this profession by being a very good wrestler. I got where I am because a lot  of people follow the excitement. And I got where I am because I know that you can’t be in the public eye and not be real.”

That means his professional image and his personal image have to merge. He wears flashy, custom-designed robes to his matches – black velvet with shiny silver butterflies, or gold lamé that sparkles in the glare of the television lights. (They’re custom-made by an Atlanta woman, Olivia Walker, at a price of $8,000-$10,000 each. He says he currently owns 14.) With that kind of ringside image, in private life, “people don’t expect Ric Flair to arrive in a pick-up truck.”

“I spend a fortune on image enhancement,” he said. “When I go to a Charlotte Hornets basketball game and I’m wearing a $25,000 mink coat, people notice. I shop at the best men’s stores in the country.”

“A lot of guys in our business have tremendous physiques and they dress differently. I’m not knocking that. But I’m 6-foot-1 and weigh 240 pounds. My persona is not that of a muscleman. I sell myself as a wrestler and a businessman.”

That sales job may also contribute to some exaggeration about his lifestyle, not that he has any qualms about a bit of hype now and then himself.

Contrary to recent reports in the media, he does not have a house in Florida with 10 bedrooms, each with a waterbed. “It’s in (Myrtle Beach) South Carolina and it has six bedrooms and three waterbeds,” he said, setting the record straight. (There are two other homes, one in Charlotte, NC and one in Mexico Beach, FL.)

 The space is not really excessive since Flair, despite his public image as a playboy surrounded by glamorous women, is married and the father of four. Kids, pets, toys and bikes take up a lot of room. And, of course, there are Flair’s own toys – a few cars, boats and his enormous wardrobe.

It’s not a lifestyle totally unfamiliar to Flair, for his is not a rags-to-riches story. He grew up in an affluent home, the son of a physician, in Minnesota. He was an all-state football player and wrestler in high school and was a collegiate wrestler for three years at the University of Minnesota.

He’s had the good fortune to be successful in his career from the outset, so he’s a stranger to the unemployment line. But he doesn’t take success for granted, he said.

“The money’s great and it’s good for the ego, and I feel great. But when I lose a step, I’ll know it. I’ll lose the title and I won’t win it back.”

When that happens, or when age or injuries slow him down, he’s looking at a future in restaurants and real estate. “I’m very close to opening a bar and restaurant and I’m involved in what I would call a major real estate deal.”

“I’m taking steps to get involved in promotions at WTBS. I’ve learned a lot being around Ted Turner and the people at Turner Broadcasting. He’s the kind of guy you look up to because he’s so positive about everything, and it’s hard to walk away from him with anything less than a positive attitude.”

Flair said he is taking a positive attitude with him into the ring for tomorrow night’s match in Nashville with Terry Funk. Flair is defending his world heavyweight title in the NWA. Several bouts are on the schedule, starting at 8 pm at the Municipal Auditorium. Tickets are available at Ticketmaster and CentraTik outlets, or at the door. Prices are $12 for reserved seats and $10 for general admission, with special prices for children accompanied by parents.



* * * * * * * * * *

Thanks to Peggy Lathan for transcribing this 1989 newspaper article for the Mid-Atlantic Gateway.

Saturday, November 28, 2015

Dr. Joseph Estwanik: A Doctor Remembers

Noted Charlotte orthopedist recalls his experiences treating the wrestlers of Jim Crockett Promotions, marvels at their toughness and athleticism
by Kyra Quinn
Special for the Mid-Atlantic Gateway


Editor's Note: For a review of what first led to this article and interview by Kyra Quinn, read "Yes Virginia, there is a Dr. Estwanik."



“Let people know how great these athletes were,” said Dr. Joseph Estwanik, referring to the wrestlers of Jim Crockett Promotions in the 1980s.  Dr. Estwanik said this at the close of our recent telephone interview, which he had graciously agreed to after I reached out to him with questions about his involvement with professional wrestling decades ago. 

Dr. Joseph Estwanik
Not Just a Doctor on TV 
After recently discovering that Dr. Estwanik was still practicing medicine in Charlotte some 30 years after his initial appearance on Crockett television, I became curious about how he had become associated with the Crocketts, and about the extent of his involvement with the wrestlers. Estwanik had appeared on television as part of two highly memorable and now-classic angles: the ankle injury to Dusty Rhodes at the hands of Ric Flair and the Andersons in the buildup to Starrcade ’85, and the neck injury suffered by Ric Flair as the result of being piledriven on a ringside table by Terry Funk in 1989. But I wondered: were those two TV appearances all there was, or was there perhaps more to his story?

As I found out, there was much more. Joe Estwanik treated many of Crockett’s wrestlers throughout the 1980s. They were his patients and his friends, and his respect for them, even after all these years, remains profound and undiminished.

The Wrestling Connection
Dr. Estwanik’s association with professional wrestling developed as a result of the geographic location of his practice as well as his own background in and involvement with athletics, including Greco-Roman wrestling. Estwanik moved to Charlotte in 1978 after graduating from medical school at Wake Forest University and completing his residency. At that time he was one of the few doctors in the Charlotte area with an interest in sports medicine, which resulted in, as Dr. Estwanik put it, “sort of a natural hook-up with the Crocketts. Plus,” he added, “I was an avid weightlifter and bodybuilder, so I actually was in the gym with many of the athletes anyway… so I think I gained the, if I can say, respect for my knowledge base of wrestling [and] of weight training.”

“Tough as Nails”
Though he treated numerous Crockett wrestlers over the years, Dr. Estwanik actually had no professional relationship with Jim Crockett Promotions. “I think I felt better that way,” he explained, “that I was able to maintain a doctor-patient relationship. But because we had so many athletes in common I couldn’t help but at times meet the Crocketts or serve a need for them if I could.”